Of course, for those who may prefer the traditional way, these bands can be linked together to create crossover points for a classic mode of operation. FabFilter gives engineers six bands that can be applied directly to the frequencies that they want to work with, ditching the traditional crossover approach. Rather than take the traditional approach, the Pro-MB gives users a great new way to use multi-band compression. The typical approach of a multi-band compressor involves crossover points that split the entire signal into separate sections that the compressor can then process.
The Pro-MB offers plenty of useful features to earn itself a spot as one of the best multi-band compressors available today. Through frequency-specific compression and independently set compression parameters, multi-band compressors are an integral form of processing when mixing and mastering. Previous articles have covered some of the best ways to apply compression when making music, but multi-band compression takes things one step further - they provide control that simply is available when using a traditional stereo compressor.
Whether dynamic control or creating tone is your goal, compressors are essential to any mix. Additionally, certain compressors provide coloration or saturation with harmonic generation. First and foremost, they exist to help balance the dynamics of a performancemaking quiet parts louder and louder parts quieter.
Compressors allow us to do all sorts of processing when mixing and mastering.
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